Showing posts with label mentor texts. Show all posts
Showing posts with label mentor texts. Show all posts

Friday, March 27, 2020

ReFoReMo Day 20: Author Marcie Colleen Plants Story Seeds




My newest book, The Bear’s Garden was inspired by the real-life Brooklyn Bear’s Community Garden in my former neighborhood in New York City. The name always puzzled me—I mean, we didn’t have bears wandering around Brooklyn last I checked!

Come to find out, the garden was named for a teddy bear that was found in the weeds when the workers began to create a garden in the abandoned lot. Of course, immediately I started thinking of that little bear. How did he get there? Did he belong to anyone? Was he placed there on purpose?

The Bear’s Garden is my imaginative story about how the teddy bear came to be in those weeds.

While the real-life story was the main inspiration, I turned to many other picture books, as well. I always seek out mentor texts to assist in writing my own. It’s an essential part of my process to see what is already published and explore how my book can stand apart.

 The Curious Garden by Peter Brown is perhaps the most known picture book about an urban community garden. I, of course, started there. My story would be a similar community beautification project, but I had a little stuffed bear to include in the effort.









Maybe Something Beautiful by F. Isabel Campoy and Theresa Howell, illustrated by Rafael Lopez is based on a true story from my current city of San Diego, California. It is a fictionalized account like The Bear’s Garden. In it a young girl dreams of color in the drab city and assists a muralist in transforming the walls of her neighborhood into vibrant works of art. Two aspects of this story stood out to me: the young female who led the effort and the way the community worked together.



The Gardener by Sarah Stewart, illustrated by David Small is about a young girl who moves to the gray city and gradually transforms her rooftop into a bursting garden. I loved this idea of transformation, but as a city girl, I was starting to take offense at the stance that the city is ugly and colorless. The girl in my story would find beauty everywhere: in an oil-slicked puddle, the pop of color from a pavement-defying weed, or graffiti-ed walls.





Sidewalk Flowers by JonArno Lawson, illustrated by Sydney Smith is a wordless picture book. I loved it’s very observant young girl who finds beauty in the wildflowers growing through the cracks in the sidewalk. However, I was a bit appalled that she picked the flowers! I knew my protagonist would notice small things that others miss, but that in a true respect for beauty, would help cultivate it into something that could be enjoyed not killed.




Tar Beach by Faith Ringgold is a beautiful love letter to life in the city. Most of the books I found were about beautifying a dull, gray city, I wanted to have my book be a celebration of urban life. It would be a character, maybe in need of help, but wonderful in its own right.








Lastly, I struggled with the ending of The Bear’s Garden. My words were falling short. I felt the best way to show the growth of the garden and the building of community was through visuals. So, inspired by my favorite ending of any picture book ever—Me Jane by Patrick McDonnell—I decided to keep the text super sparse and allow the illustration to complete the beautiful journey. I wanted those last two page turns to be reflective and powerful. Alison Oliver delivered quite nicely.



The Bear’s Garden is sprouting up on bookshelves everywhere this week. I hope maybe its story will plant a seed for your own.



Marcie is giving away a signed copy of The Bear's Garden to one lucky winner! To be eligible for prizes throughout the challenge, you must be registered by March 2, comment on each post, consistently read mentor texts, and enter the Rafflecopter drawing at the conclusion of ReFoReMo.



Marcie is the award-winning picture book author of Penguinaut! (illustrated by Emma Yarlett) and Love, Triangle (illustrated by Bob Shea), as well as the Super Happy Party Bears chapter book series. She teaches Writing Children’s Picture Books for the University of California at San Diego both online and on campus, and runs her own Study Hall conducting a month-long online critique group dedicated to the crafting picture books. Find out more about how you can study with Marcie at thisismarciecolleen.com and @MarcieColleen1

Wednesday, March 25, 2020

ReFoReMo Day 18: Author/Illustrator Jeanette Bradley Reflects on Difficult Topics

As Maurice Sendak often pointed out, childhood is difficult and full of danger. Children know that terrible things exist in the world. We need to let kids know we are willing to talk – and willing to listen. 

Children are concrete thinkers. Picture books offer an opportunity to tap into concrete, visual thinking to address abstract concepts. Here are five recent picture books have that have delved into difficult topics, each using a different strategy:

Objects as Metaphor
The Remember Balloons by Jessie Oliveros and Dana Wulfekotte

In this paradigm-shifting metaphor of a picture book, memories are balloons. James’s Grandpa has the most balloons, and the best of those are the ones he shares with James. When Grandpa’s balloons start to float away, James is heartbroken, until he learns that he can share his balloons, one by one.

Alzheimer’s disease can be painful for loved ones, and Jessie Oliveros creates a gentle and caring approach for children and adults, by addressing that sadness directly, and creating a new way of thinking about the memories we create together.

Dana Wulfekotte made the illustration choice to use grayscale for the characters and colors for the memory balloons, which creates a powerful sense of the memories themselves as main characters in this book.


Another book that does this well is AFTER THE FALL by Dan Santat. We all know Humpty Dumpty is an egg who suffered trauma by falling off a wall. But what’s inside an egg? And what is inside you after you have lived through trauma? Can you let that heart take wing?


Characterization of Emotion
When Sadness is at Your Door by Eva Eland

Sometimes it really does feel like sadness walked up the sidewalk and knocked on your door, uninvited. Eva Eland’s charming and emotive illustrations and spare text walk the reader through a grieving process by turning an abstract concept – sadness – into a concrete character. Young children often don’t yet have the language to label and process their big feelings, but author-illustrator Eva Eland pictures sadness as something outside of one’s self, that one can communicate and relate to. Eland’s illustrations show the main character first trying to hide sadness, who is too big to shut into her closet, but eventually talking with sadness and taking it for a walk. “Try not to be afraid of sadness. Give it a name,” is pretty profound advice for navigating a grieving process. 

Research-Based Storytelling
Something Happened in Our Town: A Child’s Story About Racial Injustice by Marianne Celano, Marietta Collins, Ann Hazzard, and Jennifer Zivoin 

Some topics feel so complex that it is hard as a parent to figure out how to break them down into chunks understandable by young children. Enter the expert picture book – books written by child psychologists who have spent years studying and talking about difficult issues with kids.

After discussing the police shooting of a local Black man with their families, Emma (a white girl) and Josh (a black boy) raise difficult questions with their families. The psychologist coauthors don’t sugar coat the situation, but instead show the two main characters grappling with big emotions and questions. Ultimately, the two kids are able to be active bystanders for another child who experiences racism at school.

The backmatter in this book is a wealth of resources for parents and caregivers. It includes resources for discussing race and racism with children, child-friendly definitions, and sample dialogues.

Jennifer Zivoin’s illustrations for this book illustrate the wide variety of ways that people cope with difficult news in a way that is sensitive, subtle, and without judgement. In one scene, the chess-paying Josh’s father copes with his own feelings about the news while playing chess. The illustrator shows a series of small moments, including the father’s stoic face, and his hand, holding a white knight, knocking a black pawn off the board. In another scene, Emma is pictured talking intensely and with great emotion with her mother, while a teenage sibling lurks in the background scrolling a phone. 

Another book that weaves together lyrical storytelling and research-based back matter is Traci Sorell’s At the Mountain's Base (illustrated by Weshoyot Alvitre), about a Cherokee family waiting for a deployed service member to return home. 

Simplicity and Directness
Not My Idea: A Book About Whiteness by Anastasia Higginbotham

Anastasia Higginbotham is not afraid to tell it like it is, and has a freshness in her approach to talking honestly with kids about difficult topics without talking down to them. In NOT MY IDEA, she tackles the concept of whiteness and the history and current state of white supremacy in the United States from a child's perspective. 



Higginbotham’s scrapbook-style illustrations, like her text, are at their best when they are the simplest. In one scene, we see the main character in the back seat of her car, her mother’s eyes visible in the rear-view mirror. The choice to frame this conversation within the back seat of the family car creates a sense of intimacy as the main character asks her mother “Why didn’t anyone teach me real history? I do see color! I see yours, mine, and everybody’s!” 

The main character feels like a real kid, struggling with real questions. The success of this book and Higginbotham’s other books is due to her ability to make space for those tough questions that kids have, without jumping immediately to adult answers. 


Which picture books on difficult topics speak to you?

Jeanette is giving away a copy of WHEN THE BABIES CAME TO STAY to one lucky U.S. winner! To be eligible for prizes throughout the challenge, you must be registered by March 2, comment on each post, consistently read mentor texts, and enter the Rafflecopter drawing at the conclusion of ReFoReMo.

Jeanette Bradley has been an urban planner, an apprentice pastry chef, and the artist-in-residence for a traveling art museum on a train. Her debut picture book LOVE, MAMA was published by Roaring Brook Press in 2018. It contains no cities, pastries, or trains, but was made with lots of love. She is also co-editor and illustrator of the forthcoming anthology NO VOICE TOO SMALL: FOURTEEN YOUNG AMERICANS MAKING HISTORY (Charlesbridge, 2020) and illustrator of WHEN THE BABIES CAME TO STAY (Viking, 2020). Jeanette lives in Rhode Island with her wife and kids.

千亿国际网页版登录官网